no-one/home
Saturday, August 31, 2013
Sunday, July 28, 2013
Statement:
I have been exploring the
poetic and metaphorical qualities of the paint that wanted to escape. For some
time now I have pondered what paint would want to be if it were free from the
pull of the paint brush, free from the call of the canvas and able to climb,
crawl slide and sneak away from the perils of the palette.
What if paint rose
to the Modernist claim that paint should refer to itself, in an ironic attempt
to adapt itself to this cul de sac of a command?
Well it has, small creature
like forms have taken shape and wait to be adored and admired for what they
really are.
The possibilities are endless in paints' quest to be itself...it
no longer wants to be Other! It wants to be free.... and its time to set it
free! That's all I have to say on the matter.
Tuesday, May 28, 2013
Statement:
I have been exploring the
poetic and metaphorical qualities of the paint that wanted to escape. For some
time now I have pondered what paint would want to be if it were free from the
pull of the paint brush, free from the call of the canvas and able to climb,
crawl slide and sneak away from the perils of the palette.
What if paint rose
to the Modernist claim that paint should refer to itself, in an ironic attempt
to adapt itself to this cul de sac of a command?
Well it has, small creature
like forms have taken shape and wait to be adored and admired for what they
really are. The possibilities are endless in paints' quest to be itself...it no
longer wants to be Other! It wants to be free.... and its time to set it free!
That's all I have to say on the matter.
The‘ Paint Creature Project’.
Regarding
process and practise: The‘ Paint Creature Project’ is somewhat of a unambiguous
digression, though one might also say distraction. As my main focus since
graduating, has been on painting, on the canvas - as is conventional.
These blithe little creatures wish
to continue to evolve and winning the WWsolo award would enable them to continue
doing so within the well-advised and mentored context of a well-established,
contemporary art gallery. With the backing of professionals I feel the
possibilities are literally endless. The paint creatures have unbounded
potential and there are many tangents to be explored. The project is still in
its infancy. I see whole scenarios unfolding. I see magnificent and absurd
sculptural potential waiting to be developed. However, to understand this fully
one must understand more about the process.
The creatures first evolved
naturally and independently, they appeared one day. I’d sit, as one does,
staring at my canvas and wondering what I was supposed to do next, and then
from the corner of my eye; or else, as my eyes scanned the myriad of colour
splattered and smudged, mixed and muted, cratered and convoluted across the
landscape of my palette, and I would witness the metamorphosis of the daubs and
squirts of oil paint into fantastical personified poetical little beings.
It occurred to me that the paint
wanted to be free! The irony for me was in realising that this notion at once
encapsulated and satirised the Modernist ‘cul de sac’ of dictates of the last
century. Aware of post modern arts’ rut, in appropriating and commenting on the
historical dictates of the past, in making the old new again in such a way that
old authority and Other is at once questioned and celebrated, respectively- it
occurred to me how well these
little creatures seemed to embody all of
these theories. The simplicity and poetry with which they were imbued delighted
me. I realised they could be so much more, which is as they wished. They shunned
the pummelling of the palette, the torture of the turpentine, and the chaos of
the canvas. They screamed out to be recognised for their inner truths. “We are
paint!” they declared from the plinths they crawled to.
However, at first I did not
listen. So sadly, their blitheness dissipated. Some fell into a great depression;
unsure of themselves they took to wandering; some attacked and adopted
cannibalistic behaviour; whilst others took to the turps. Then I listened! I
looked and learnt. And now I wait for the next steps to unfold. I am very
excited about the potential.
I would appreciate advice and
management and constructive criticism in developing the project further and
help, to put my work into a context, which is both aesthetic and soundly
embedded in contemporary theory. I would like exposure and support.
I see the creatures evolving
into a world of scenarios possibly in much the same way as Tessa Farmers work
explores the world of nature with natural found objects, so I wish to create
scenarios which explore the world of art theory and human behaviour, using the
visceral and anthropomorphic qualities of the paint.
Zoe Crosse
The work I am exhibiting in the show at Cultivate this month has a lot to do with allegory and myth. But as usual, in a very 'rhizomic,' beating about the bushes and following 'serendipidus' tangents, sort of way....
Although I have still been working with my usual process, referencing the photo and history, in a bid to re-invent a purpose for painting, whilst enjoying the possibilities thrown up by the materiality of the sticky stuff, I have been interested in the idea that meaning lies outside of a work.... to be post modern, one has to almost make the work meaningless? well, i couldn't help disagreeing...this time... and decided to break the rules by clearly referencing BEES! I know, it all sounds a bit wishy washy...buy hey someone has to stick up for the little guys....with out them ...we are pretty screwed!
"The honeybees are dying — and we don’t really know why. That’s the conclusion of a massive Department of Agriculture (USDA) report that came out late last week on colony-collapse disorder (CCD), the catchall term for the large-scale deaths of honeybee groups throughout the U.S. And given how important honeybees are to the food that we eat — bees help pollinate crops....."
.... little doodles dotted around ...
Tuesday, May 07, 2013
Monday, April 22, 2013
Zoe Crosse Artist CV
FAD http://www.fadwebsite.com/2013/07/31/fads-five-art-openings-for-firstthursday/
2013 Long listed for WWSolo award PV 30th July .WWGallery London
2013 Pink Cultivate London
2013 Flowers June group Show Cultivate London
2013 This week May Cultivate Group Show with MyDog Sighs and Sixonesix.
2013 April Ten 2 Group Show Cultivate
2013 Long listed for WWSolo award PV 30th July .WWGallery London
2013 Pink Cultivate London
2013 Flowers June group Show Cultivate London
2013 This week May Cultivate Group Show with MyDog Sighs and Sixonesix.
2013 April Ten 2 Group Show Cultivate
2013April Red Revised Group Show Cultivate
2013 March Spring Group Show Cultivate
2013 Feb Yeastie Girls Group show cultivate
2013 Feb Back in Black group Show Cultivate
2013 January . Bang. Group Show. Cultivate. Vyner
Street.
2012 Art is For Life. December. Group Show.
Cultivate. Vyner Street.
http://www.cultivatevynerstreet.com/
http://cultivatevynerstreet.wordpress.com/
http://organart.wordpress.com/2012/12/16/organ-thing-of-the-day-the-paint-of-zoe-crosse-shepard-fairey-in-miami/
http://www.cultivatevynerstreet.com/
http://cultivatevynerstreet.wordpress.com/
http://organart.wordpress.com/2012/12/16/organ-thing-of-the-day-the-paint-of-zoe-crosse-shepard-fairey-in-miami/
2012 September. Shoes. Group Show. Cultivate.
Vyner Street.
2012 August. Greatest Hits Retrospective.
Group Show. Cultivate. Vyner Street.
2012 August . Your Call II, Group Show.
Cultivate
2012 July . Your Call I, Group Show.
Cultivate
2010-2011 December- February . The Lock.
London. Toy Story.
- 2009 Sept. A crash Course in Phantasy Degree Art Vyner Street.
- http://www.artslant.com/lon/events/show/70516-a-crash-course-in-phantasy
2009 . 'The Big Ink' .Take Courage Art
Gallery Amersham Arms. SE14. 12th - 14th June
2009 . Top 100. Round II 6th
June jealous gallery N8 LONDON
Great Escape Festival & Convention
May
2009 . Drawings with Dolphins.13th
February . Stoke Newington Sartorial Art.London
2009. London Art Fair. Jan 19th
contemporary Art Projects.
- Next Star Artist http://nextstarartist.files.wordpress.com/2008/06/zc32.jpg
http://nextstarartist.files.wordpress.com/2008/06/zc32.jpg
• 2008 . INDO. WhiteChapel High Street. Dec 5th
• 2008 . INDO. WhiteChapel High Street. Dec 5th
2009 . Top 100. Head Office,MCPS/PRS
Alliance.Berner St W1. Jan 19th
2008. The Lloyd Gill Gallery. Weston
Supermare. Parody. Oct-Nov .
2008. The Crypt. Kings Cross.London. All This
Time. Oct 10th .Five female portraits.Oils and resins on
canvas.
2008. DegreeArt.com. Collect 4. Vyner
Street.London. Sept 30th Toy Paintings. Child’s Play. Oil on
canvas.
2008. Contemporary Art Projects. Rivington
Place Old Street .London.Start Your Collection. August 1st Female
portraits and Toys from the Child’s Play collection. Oil and resins on
canvas.
2008. The Lock. London. Child’s Play. January
. Seekers . Oil on canvas.
2007. The Nelly Dean. Soho London. Painted.
April . Disconnected. Oil on canvas.
2007. The Lock. London. Burden of desire.
January. Disconnected. Oil on canvas.
2007. The Brick Lane Gallery. London. Peace
Camp . Hippy Shit. Oil on canvas.
2006. Hackney Round Chapel. London. Nausea
2006. Epiphany. Oil on canvas
2006.Transition Gallery. London. Index. .
Between The Lines. Artist Book.
2005.Mary Ward Centre. London. Viridian. . Selected works on
canvas.
Satellite
Bursary Award. Awards Bursary. Satellite Enterprise.
Research for Pages Exhibition. Notice Gallery. London. 2007
Published art work
Art of England front cover October 2009
Cheekish Productions Christie In Love
http://www.cheekishproductions.com/christie.html l
Art of England front cover October 2009
Cheekish Productions Christie In Love
http://www.cheekishproductions.com/christie.html l
Publications:
Writing
selected for an anthology.
Your Messages
by L.Rees & S.Salway.
Bluechrome
publications January 2008
Inexpected
item.Drunken Root Publication.
The Dust Archives.Not Once Upon A Time. 2008 October
http://www.cultivatevynerstreet.com/The Dust Archives.Not Once Upon A Time. 2008 October
But works as cards at...http://www.redbubble.com/people/zoecrosse/works/1936561-ode-to-jo?ref=work_main_nav
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